Annelien van Wauwe, Boris Brovstyn, Nikita Boriso-Glebsky, Lise Berthaud en Maximilian Hornung spelen Mozarts ‘Klarinetkwintet in A, KV 581’ tijdens het Internationaal Kamermuziek Festival Utrecht 2017.

Uitvoerenden:
Annelien van Wauwe [klarinet]
Boris Brovstyn [viool]
Nikita Boriso-Glebsky [viool]
Lise Berthaud [altviool]
Maximilian Hornung [cello]

Het programma:
Wolfgang Amadeus Mozart - Klarinetkwintet in A, KV 581

Opname: Internationaal Kamermuziek Festival Utrecht, vrijdag 30 juni 2017, in TivoliVredenburg te Utrecht.

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Bass clarinet: Sebastián Tozzola

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If you are interested in performing this piece, please write directly to the composer. http://www.davidbthomas.com/

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Written by Lennon-McCartney

With Alexis Hauser conducting Pronto Musica Chamber Orchestra.

Performed on December 17, 2018 at Christ Church Cathedral, Montréal.

Proof! I did it! Live with the Chicago Clarinet Ensemble, May 12, 2017

From album News "Hot Off The Press" 1974 US Pop Psych <br /> <br />Reviews from Acid Archives : <br /> <br />Here’s a unique and outstanding 70s pop album. The lead instrument is a pedal steel guitar, played with more imagination than anywhere other than the Misunderstood’s studio recordings, often with some nice fuzzy distortion. It rarely sounds “country.” The songs are strong pop/rock, with Beach Boys-style harmony vocals on the softer songs, and tougher (but still melodic) singing on the rockers. Other than the opening “song” (three minutes of a guy fiddling with a radio dial), everything here is memorable, and no two songs sound alike. My pick hits are the powerful “Loser,” with a stunning steel guitar solo, and the long album-closer “New York City,” but this is consistent enough that any given listener could feel equally strong about any two others. This is exactly the kind of band a daring major label executive would have struck gold with in the 60s, but nobody would dare to touch in the 70s.. <br /> <br />Excellent and still fairly unknown LP on the same local CT label as D R Hooker. The bulk of it is terrific 1960s westcoast-flavored folkrock with a dreamy psych vibe and good vocal harmonies. I'm reminded of other 60s-in-the-70s trips such as Creme Soda or the good tracks on Spur more than anything else, with lyrics that show the retro feel to be deliberate on the band's part, openly referring to old songs by the Byrds, the Beatles, etc. Not sure what they were aiming for with this, but it does produce an appealing sound. Another reference point is Merrel Fankhauser in his melodic '66-67 phase. Opening track of random radio chatter is unfortunate and may have turned some buyers off, and there is a so-so Creedence ripoff on side 2, but apart from that -- meaning 8 tracks out of 10 -- this is a delight. Recommended to any fan of melodic 60s sounds, and not terribly hard to find..

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Experience our planet's natural beauty and examine how climate change impacts all living creatures in this ambitious documentary of spectacular scope.

In this episode: Examine the fragile interdependence that exists between forests' wide variety of residents, including bald eagles, hunting dogs and Siberian tigers.

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US Rating: TV-PG. Parental guidance suggested.

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U.S. Marines with 2nd Battalion, 1st Marine Regiment, assigned to Special Purpose Marine Air-Ground Task Force-Crisis Response-Central Command, discuss the implementation of the drone defender in the changing battlefield climate in the Central Command area of operations on June 22, 2021. <br /><br />The drone defender is a hand-held counter-unmanned aerial system used by small unit leaders on the ground. #Military #Drones #Technology<br /><br />"The appearance of U.S. Department of Defense (DoD) visual information does not imply or constitute DoD endorsement."<br /><br />Credit to : U.S. Marine Corps Video by Cpl. Benjamin Aulick

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