The penultimate step is a crucial element in the technique of the long jump. It refers to the second-to-last step before the athlete takes off into the jump. The purpose of the penultimate step is to generate the speed and momentum necessary to propel the athlete forward and upward into the jump.

In the long jump, the penultimate step is typically taken with the non-dominant foot. The athlete should focus on driving their knee upwards and forwards towards the takeoff board, while also keeping their body low to the ground. This will help to generate the necessary speed and power for the takeoff.

During the penultimate step, the athlete should also focus on keeping their arms and upper body relaxed, yet coordinated. The arms should be positioned in such a way that they can swing freely during the takeoff phase and provide additional momentum.

The timing and coordination of the penultimate step can be a challenging aspect of the long jump technique, and it is important for athletes to practice and perfect this element of their approach in order to achieve their best results.

Women Long Jump #shorts

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Long Jump Landing technique | Long Jump लगाने के बाद parfect landing कैसे करे

part-1
Long jump kaise kare। long jump tricks। लंबी कूद कैसे लगाएं
https://youtu.be/d_Wf5f6by_A

long jump जल्दी बढा़ने का तरीका। long jump take off । लम्बी कूद कैसे करे part-2
https://youtu.be/JkqzymJPqnw

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Glutes, thighs, and quads for days, this is the broad jump.

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Teaching the long jump penultimate step to beginners by Keinan Briggs

Best jumps of the women’s long jump final | Highlights | European Indoor championships Istanbul 2023
#beautifulwomen #athletics #longjump #beautiful

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00:00:00 Mendelssohn_ Konzertstück No.1 Op 113
00:08:51 Mendelssohn Konzertstück No.2 Op 114
00:17:45 F.Devienne - Concertino For 2 Clarinet
00:35:50 Hoffmeister - Concerto In Mi Bem Major
01:00:16 Tausch - Concertante Nr.2 In Si Bemolle Major
01:24:45 Copland - Concerto For Clarinet And String Orchestra
01:32:23 Krommer - Concerto Op.91
02:09:30 Telemann - Concerto In Re Minor
02:22:30 Guastavino - Sonata For Clarinet And Piano
02:41:23 J.G.H.Backofen - Concertante For 2 Clarinets
03:01:53 Krommer - Concerto (concertante) Op.35
03:25:20 Piazzolla - Contemplacion Y Danza Op.15
03:32:30 Stravinskij - Three Pieces For Clarinet Solo

Daniel Pacitti, Nicola Bulfone, Walter Themel, Orchestra da Camera di Udine
Orchestra della Radio e Televisione Moldava, Daniel Pacitti, Carlo Balzaretti

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00:00:00 F.Devienne - Concertino For 2 Clarinet
00:18:05 Hoffmeister - Concerto In Mi Bem Major
00:42:31 Tausch - Concertante Nr.2 In Si Bemolle Major
01:07:00 Copland - Concerto For Clarinet And String Orchestra
01:24:38 Krommer - Concerto Op.91
01:51:45 Telemann - Concerto In Re Minor
02:04:45 Guastavino - Sonata For Clarinet And Piano
02:23:38 J.G.H.Backofen - Concertante For 2 Clarinets
02:44:08 Krommer - Concerto (concertante) Op.35
03:07:35 Piazzolla - Contemplacion Y Danza Op.15
03:14:50 Stravinskij - Three Pieces For Clarinet Solo

Daniel Pacitti, Nicola Bulfone, Walter Themel, Orchestra da Camera di Udine
Orchestra della Radio e Televisione Moldava, Daniel Pacitti, Carlo Balzaretti

Conceived, Selectend And Mixed By Classical Tunes
(P)(C) Nar International Srl
Image Licensed From Shutterstock.com
User ID: 291872011
All Rights Reserved

Check our Fantastic Selection with the best Classical Music for Relaxation, Meditation, Focus, Reading, Studying and Stress Relief:
https://www.youtube.com/playli....st?list=PLeCgNh_ukab
https://www.youtube.com/playli....st?list=PLeCgNh_ukab
https://www.youtube.com/playli....st?list=PLeCgNh_ukab

Check our channel including the best music from Grieg, Mozart, Beethoven, Bach, Vivaldi, Debussy, Brahms, Handel, Chopin, Schubert, Haydn, Dvorak, Schumann, Tchaikovsky and many more:
https://www.youtube.com/playli....st?list=PLeCgNh_ukab

We also have a fine selection with the best Baroque Music:
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Sgt 1st. Class Kevin Walko enjoys transcribing music for bass clarinet and various woodwind ensembles. Do you recognize what he’s playing here?

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Martin Fröst plays Adagio, the second movement of Mozart’s Clarinet Concerto in A major K 622, from his new double-album Mozart: Ecstasy and Abyss, a collection of masterworks that capture the paradox of Mozart’s fragile existence and extraordinary creativity.

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For the first time Martin Fröst has recorded as both performer and conductor, leading the Swedish Chamber Orchestra, of which he is chief conductor, in Mozart’s “Prague” and “Jupiter” Symphonies, Piano Concerto no. 25 (with soloist Lucas Debargue), arias from the operas La clemenza di Tito (with Ann Hallenberg) and Idomeneo (with Elin Rombo) and his third recording of Mozart’s Clarinet Concerto.

“There has never been a more important time for his music, I feel that the music of the Enlightenment has gained a new relevance in our era of desolation, where we must create and recreate hope.”, says Fröst.
Each of the release’s two albums focuses on a moment in Mozart’s life when the composer appeared to teeter on a knife-edge between triumph and disaster, joy and depression, life and death. It was these moments that brought music of the most extraordinary beauty and intensity from the composer.

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Clarinet Sonata Op. 167 (1921), Camille Saint-Saëns (1835-1921).

Ulf Rodenhäuser, clarinet
Leonard Hokanson, piano

I. Allegretto (00:00)
II. Allegro animato (4:45)
III. Lento (7:09) (attacca)
IV. Molto allegro (11:55)

Although he remained a very active composer throughout his very long life, even the biggest fan of Camille Saint-Saëns will admit (as Saint-Saëns himself sometimes admitted) that by the 1920s -- nearly 70 years after his rise to fame -- he was something of a dry well. Still, some of the pieces he composed during the last years of his life have real value; perhaps it is hard to take a work like the choral piece Hail California (1915) seriously, but the three woodwind sonatas of 1921, one of which is the Sonata for clarinet and piano in E flat major, Op. 167, are cherished by many performers.
Saint-Saëns' Clarinet Sonata has four movements, and thus might be said to reach back past the Romantic sonata tradition, with its normal three-movement vessel, to the Classical tradition that Saint-Saëns loved so dearly. The opening melodic strains of the Allegretto first movement float upon a sea of utterly calm eighth note waves in the piano (bobbing up and down in 12/8 meter); the composer is in no hurry to reveal the secrets of the movement, but there is still passion aplenty as we go along, even if the movement as a whole is not especially long.
A scherzo movement comes next, taking up A flat major, and then Saint-Saëns provides a Lento in the dark key of E flat minor; its steady half notes and, in time, quarter notes, are so persistent in their slow plodding that we almost feel anguish at their inability to break free from the dirge they create. Much happier, though, is the Molto Allegro fourth movement that follows it without pause. Here the clarinetist is given a chance to whirl and spin to some very florid virtuoso stuff, but at the end it is the quiet tone, and even in fact the very music, of the first movement that the composer uses to close.

(from http://www.allmusic.com/compos....ition/sonata-for-cla

I don't own the video nor the scores shown in the video.
-audio: https://www.youtube.com/watch?v=u-KPDqeUZ_g / https://www.youtube.com/watch?v=hQdlcBrExKM
-partitura: http://imslp.nl/imglnks/usimg/....f/f8/IMSLP13810-Sain

PDF https://tocapartituras.org/?s=czardas&post_type=product

Sheet Music in http://www.tubescore.net/2017/....01/czardas-by-monti-
Spanish Version http://www.tocapartituras.com/....2016/11/czardas-part

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Clarinet solo from Belwin Master Solos book by Keith Snell.

Download transcriptions at https://georgecolliermusic.com and check out the Discord!: https://discord.gg/3qxNDA3NCy

Original video: https://www.youtube.com/watch?v=jft3BVoxqjo
Piece name: Jubilee Stomp
Performed by: Tuba Skinny

faq:

Q: how are you related to jacob collier? / A: i'm not, we just have the same last name
Q: how do you transcribe? / A: i use musescore for notation and 'Transcribe!' for beat marking, slowing down etc
Q: do you have perfect pitch? / A: no
Q: where can i suggest videos? / A: https://discord.gg/3qxNDA3NCy
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Q: why are some videos not transcribed by you? / A: sometimes other people submit transcriptions, most are commissioned from others who can do a better job than i can. i want to make sure you see the best transcriptions possible!

The timeless classic "Hard to Say I'm Sorry" by Chicago receives a stunning new arrangement for clarinet quintet. In this rendition, the quintet delivers a hauntingly beautiful performance that captures the song's emotional core while showcasing the unique timbre of each instrument. From the soaring clarinet melodies to the rich and resonant bass clarinet accompaniment, this arrangement is sure to captivate audiences and leave them moved by the expressive power of Chicago's music.  The addition of an optional alto clarinet part gives the arrangement an added dimension, making it perfect for performances that require a little something extra. The gentle and melodic notes of this beloved song bring out the emotional and introspective nature of the clarinet, making it the perfect piece to showcase the versatility and beauty of this instrument.

#clarinetquintet #chicago

"SPIEL" is a short and fun composition for solo clarinet

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Paint It, Black | Clarinet Sheet Music
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